So there we were, walking to Trader Joe's on our weekly grocery run. Came around the corner by Albertson's and saw a mama duck, trailing a little clutch of 10 or so, marching up the gutter beside the curb. There were four other people watching, just standing on the sidewalk. Two women had clearly been jogging; one guy had come out of his apartment. And then there we were. We stopped to watch, since Mama D was coming our way, and we didn't want to spook her. She decided right about then that she needed to get up onto the sidewalk and start cutting across the park (with another big, busu street and a another stretch of park between her and the little lake). She jumped up on the curb. At that point, we realized that these were not just ducklings, they were ducklings: like, brand new. Super tiny. The curb was twice their height.
In one (or in this case, eight) acts of animal athleticism, the ducklings leapt up and followed mama. And then there were two. And then...one. Nine cheeping babies on the curb. Mama knew it. She looked at her clutch, then squawked and came back to the curb. Baby cheeped at her. She jumped down. One of the others jumped after her, at which point all the humans groaned. "No, don't do that, don't jump back down--!" Mama jumped back up. Baby Jock followed. The little duckling who couldn't tried, failed, tried again.
This continued, as mama and spectators became more concerned, for another 5 or 6 feet of sidewalk. I was already moving toward Mama and baby. One of the guys watching told me to watch out! That mother duck will kick your ass! On cue, Mama flared her tail and spiked her head feathers and took a run at me, just so I understood that 6 feet from her baby was too close, nevermind I was a good distance into the street on a blind corner. Cars, fortunately, saw me. The other watchers were doing their part, too, to flag and signal to cars to make them slow down. Note: none of the ducks was anywhere near a car-zone. Nope. Just the human.
Another guy came up then, older man with a camera, and stood near me taking pictures. Still another guy ran up, carrying a folded Abercrombie and Fitch bag. He propped it against the curb, beside the ever more frantic and exhausted duckling. It promptly dashed under the bag, and away from it again. Perhaps the mostly naked models on the bag alarmed it. Perhaps it did not approve of the lingering Abercrombie smell coming off the bag. This is sarcasm; the duckling was just scared witless, and Mama had moved back to get the rest of her clutch onto the grass. She was still calling, baby was answering, but he just could. not. get. up.
I know the chances of a runt duckling's survival are poor. I know that the chances of his siblings surviving aren't good, either; there are coyotes, foxes, possums, raccoons, herons, big-ass frogs and turtles, bobcats, owls, and godds know what else over at the lake. There's a big street to cross before that, with more curbs. Nature has no pity on little helpless things; cars have even less.
Yeah. Well.
At this point, I decided a couple of things, one of which was this mama duck would not kick my ass, but she might scrape me up a little, and I could live with that. The other was, if I messed this up, I might end up with an orphan duckling. Well. I can keep the cats off the deck, right? Right. But I wasn't gonna mess up.
So I moved in--to pick up the bag, slide it under baby, lift him up an inch or so. As I was halfway to crouch, Mama launched. She flew right into my face, wings beating. I have been dive-bombed by red-wing blackbirds, had finches fluttering around my head, felt my parakeet's wingbeats as he landed on my shoulder. Her wings felt like sandpaper, or the sharp edge of index cards. I gotta say, I was impressed. The wings were powerful. I could feel the scrape on my cheek where she'd hit me.
Nous tells me she was maybe an inch from my nose with her beak, but I did not notice. When I saw her fly up, I turned my head, closed that eye, grabbed the bag, and backed up a step. I wasn't scared. No adrenaline. The baby was still stuck, and ducks don't have long sharp scary crow beaks, so...
I stepped in again. She made a move, and the guy with the camera took a step toward her. That was distraction enough. She turned to face him, and I slid the edge of the bag under the duckling. Lifted. He flapped, jumped--and finally, finally caught the edge with his little feet. He ran to Mama, who promptly spat a duck-expletive at me and took her clutch away, top duck-speed, into the grass and the park. There were some little "Yays!" from the bystanders. I returned the bag to its owner, and away we went.
I hope they all made it to the lake.
22 April, 2012
18 April, 2012
this is not the story of a born again yogi
So I started yoga reluctantly, because my pilates teacher was quitting and I needed something to do in its place and she said--oh, do yoga! You will love it.
So I did, and she was right. And here's why: for that 75 minutes, I am totally in the moment. I am not worrying about students, or how much grading I have, or that godsforsaken query letter I am supposed to be working on, or how guilty I feel because I haven't made much time for Swedish. There is something very... freeing... about that kind of concentration. Sure, sometimesit hurts it's challenging. But it's exhilarating, too. Probably all the breathing. I'm not always totally focused. Sometimes I notice the chick next to me with her 19 year old rubber limbs and no muscle strength. Or the chick over there who can't touch her damn toes and wtf? She's maybe 20! Or that woman, lord, who is wrapped in a knot and making it look easy and maybe, maybe, I can get another half...and...inch...into this twist....!
At which point I remind myself "let it go," and most of the time, I do. More of the time, now.
Yoga reminds me that no, that right hip Has Issues(tm), probably related to over-training and bad posture in martial arts years ago, and exacerbated by running (which has been largely replaced by the elliptical). That my elbows have nerve tweaks, and that while upward bow is possible, it may not be a good idea. That I am also not 20 any more, and I can't just muscle my way through the poses and trust that I'll heal by morning. I need to respect my body, and my limits, which are subject to change. A bad day is just a day. Let it go.
Yoga also reminds me that I am very, very lucky: my body is healthy, northern European-sturdy. That I am strong., and flexible, and that I can do the stronger variations of most of the asanas, most of the time.
But oh, the ones I can't do piss me off. My favorite yoga teacher told me (rather sternly) this afternoon that I have a "nice practice" and "if headstand is going to lead to injury, you don't need it." But I want it. And the badass arm balances. I want to be more than I imagined I could be, three years ago. I want to be more than I am, right now. I want headstand by 40. Let's see if I get it.
So I did, and she was right. And here's why: for that 75 minutes, I am totally in the moment. I am not worrying about students, or how much grading I have, or that godsforsaken query letter I am supposed to be working on, or how guilty I feel because I haven't made much time for Swedish. There is something very... freeing... about that kind of concentration. Sure, sometimes
At which point I remind myself "let it go," and most of the time, I do. More of the time, now.
Yoga reminds me that no, that right hip Has Issues(tm), probably related to over-training and bad posture in martial arts years ago, and exacerbated by running (which has been largely replaced by the elliptical). That my elbows have nerve tweaks, and that while upward bow is possible, it may not be a good idea. That I am also not 20 any more, and I can't just muscle my way through the poses and trust that I'll heal by morning. I need to respect my body, and my limits, which are subject to change. A bad day is just a day. Let it go.
Yoga also reminds me that I am very, very lucky: my body is healthy, northern European-sturdy. That I am strong., and flexible, and that I can do the stronger variations of most of the asanas, most of the time.
But oh, the ones I can't do piss me off. My favorite yoga teacher told me (rather sternly) this afternoon that I have a "nice practice" and "if headstand is going to lead to injury, you don't need it." But I want it. And the badass arm balances. I want to be more than I imagined I could be, three years ago. I want to be more than I am, right now. I want headstand by 40. Let's see if I get it.
Labels:
yoga
20 March, 2012
something stinks here, and it ain't the zombie
I just don't get the fanfare for The Walking Dead. Okay, zombies, I am predisposed to like this show-nay, even love it!-and I...okay, don't is too mild a word.
Really don't. There.
The gender-roles thing is hard for me to deal with. I won't lie. The first dialog of the first season premiere set that tone unfortunately accurately. And this season...oy. I stopped watching halfway through the premiere, after the men decide that Andrea cannot have a gun because it makes them uncomfortable. She might, you know, kill herself or someething. Because she seems so suicidal, fighting off walkers with a screwdriver. My students persuaded me to try the shoow up again, halfway through the season.* It gets better, they said. It did, a little, for Andrea. But! Then there was the crap about Lori's pregnancy...her angst about abortion could have been a great storyline, but the "abortion pill" shit spouted by another woman was just silly. As is the All About Me crap with the guys---Darrel's a dick to Carol because he feels bad that her daughter died (what?) and Glen has to have some alone time because his love for Maggie is the reason he froze under fire (double what? Seriously? The hell?) I can't excuse that shit just because there's a hot dude with bare arms walking around. It's a little ironic that Sons of Anarchy--one of the most overtly masculine/male themes out there--deals with women, violence against them, sexism, with far more grace and nuance. Or maybe not, since Kurt whatisname wrote the show around his wife's character.
It isn't just the women, either. Everyone's characterization turns on stereotype. Development, not so much. More like a shift from one stereotype to another...shift, like the grinding of gears because the plot development clutch isn't all the way in. When there is a complex motivational opportunity--like Shane, Rick, and Lori--the writers go to the simplest, one-note solution. Jealousy outweighs friendship. Violence ensues. It really is all about the relationship among men, or, if you're a woman, the relationship with them. But yes. Rick is changing. Haven't seen a nice guy go badass/asshole before. Nope. Never. Wait. Yes, yes I have. 28 Days Later. Farscape. Sarah Connor Chronicles. Hell, Jax in Sons is always negotiating the facets of his character. Maybe if Rick had facets, he could do that too!
The cinematography is as manipulative. Cuts and angles designed to keep the viewer from seeing things--okay, a fine technique!--but then we are asked to believe that the characters, too, share that limited vision. Which is, presumably, how dozens of walkers can march up a road and get within a few yards before anyone sees them. Or how someone with a pair of dudes in collars and chains can magically appear behind Andrea, when Andrea's been looking around specifically for pursuit. One magic ninja in a hoodiee, I might buy. A magic ninja in a hoodie with two gimps on chains, not so much.
I will probably watch it next season anyway. I feel kinda obligated, given my course theme. I can always hope for improvement. Or a sense of humor. In that, it's as bad as BSG.
*To be fair: I'd've loved the show at their age, too, and forgiven its flaws assuming I even noticed. I don't rag on it in front of them, although I do hack on individual characters. We all think Carl needs a beatdown.
Really don't. There.
The gender-roles thing is hard for me to deal with. I won't lie. The first dialog of the first season premiere set that tone unfortunately accurately. And this season...oy. I stopped watching halfway through the premiere, after the men decide that Andrea cannot have a gun because it makes them uncomfortable. She might, you know, kill herself or someething. Because she seems so suicidal, fighting off walkers with a screwdriver. My students persuaded me to try the shoow up again, halfway through the season.* It gets better, they said. It did, a little, for Andrea. But! Then there was the crap about Lori's pregnancy...her angst about abortion could have been a great storyline, but the "abortion pill" shit spouted by another woman was just silly. As is the All About Me crap with the guys---Darrel's a dick to Carol because he feels bad that her daughter died (what?) and Glen has to have some alone time because his love for Maggie is the reason he froze under fire (double what? Seriously? The hell?) I can't excuse that shit just because there's a hot dude with bare arms walking around. It's a little ironic that Sons of Anarchy--one of the most overtly masculine/male themes out there--deals with women, violence against them, sexism, with far more grace and nuance. Or maybe not, since Kurt whatisname wrote the show around his wife's character.
It isn't just the women, either. Everyone's characterization turns on stereotype. Development, not so much. More like a shift from one stereotype to another...shift, like the grinding of gears because the plot development clutch isn't all the way in. When there is a complex motivational opportunity--like Shane, Rick, and Lori--the writers go to the simplest, one-note solution. Jealousy outweighs friendship. Violence ensues. It really is all about the relationship among men, or, if you're a woman, the relationship with them. But yes. Rick is changing. Haven't seen a nice guy go badass/asshole before. Nope. Never. Wait. Yes, yes I have. 28 Days Later. Farscape. Sarah Connor Chronicles. Hell, Jax in Sons is always negotiating the facets of his character. Maybe if Rick had facets, he could do that too!
The cinematography is as manipulative. Cuts and angles designed to keep the viewer from seeing things--okay, a fine technique!--but then we are asked to believe that the characters, too, share that limited vision. Which is, presumably, how dozens of walkers can march up a road and get within a few yards before anyone sees them. Or how someone with a pair of dudes in collars and chains can magically appear behind Andrea, when Andrea's been looking around specifically for pursuit. One magic ninja in a hoodiee, I might buy. A magic ninja in a hoodie with two gimps on chains, not so much.
I will probably watch it next season anyway. I feel kinda obligated, given my course theme. I can always hope for improvement. Or a sense of humor. In that, it's as bad as BSG.
*To be fair: I'd've loved the show at their age, too, and forgiven its flaws assuming I even noticed. I don't rag on it in front of them, although I do hack on individual characters. We all think Carl needs a beatdown.
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